Results Found For “Edison Phonographs”:
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Blues and Gospel Records: 1890-1943
Location: Amazon Warehouse
Brand/Style: Edison Phonographs
List Price: $175.00
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$157.50 New » Click for Details
VINTAGE LOT 36 EDISON MUSIC CYLINDER PHONOGRAPH TUBES & ORIGINAL WOOD BOX
Location: Demotte, IN, USA
Brand/Style: Edison Phonographs
Shipping: $25.00
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$132.50 Used » Click for Details
Edison Black Wax Cylinders Lot of 24
Location: Kent, WA, USA
Brand/Style: Edison Phonographs
Shipping: $10.00
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Edison Model C 2 minute Phonograph reproducer
Location: Apple Valley, CA, USA
Brand/Style: Edison Phonographs
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VINTAGE THOMAS EDISON CYLINDER PHONOGRAPH RECORDS
Location: Wykoff, MN, USA
Brand/Style: Edison Phonographs
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Dust & Grooves: Adventures in Record Collecting
Location: Amazon Warehouse
Brand/Style: Edison Phonographs
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Edison Black Wax Foreign Lot of 5
Location: Kent, WA, USA
Brand/Style: Edison Phonographs
Shipping: $8.00
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Put the Needle on the Record: The 1980s at 45 Revolutions Per Minute
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Brand/Style: Edison Phonographs
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Goldmine Record Album Price Guide
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Brand/Style: Edison Phonographs
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Standard Catalog of American Records (Goldmine Standard Catalog of American Records)
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Goldmine Record Album Price Guide
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1000 Record Covers
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Brand/Style: Edison Phonographs
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2 Edison Amberol Cylinder Records -- M-U-M is the Word #33 & A Police Court #37
Location: Modesto, CA, USA
Brand/Style: Edison Phonographs
Shipping: $4.83
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2 Edison Blue Amberol Cylinder Records - Maria Theresia #344 & I am Longing #394
Location: Modesto, CA, USA
Brand/Style: Edison Phonographs
Shipping: $4.83
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2 Edison Amberol Cylinder Records -- Staunch and True #214 & Adeste Fideles #504
Location: Modesto, CA, USA
Brand/Style: Edison Phonographs
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Vinyl Junkies: Adventures in Record Collecting
Location: Amazon Warehouse
Brand/Style: Edison Phonographs
List Price: $16.99
Part#: 9780312304270
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Personal Firearms Record Book
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Brand/Style: Edison Phonographs
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Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records
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Edison Phonographs Details

Since its first edition in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed "the bible" for collectors of pre-war African American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African American style, excluding those customarily classed as jazz (which are the subject of separate discographies).

The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies--about 20,000 titles in all, by more than 3,000 artists.

For each recording session, full details are given of:


· artist credit


· accompaniment


· place and date of recording


· titles


· issuing company and catalogue numbers


· matrix numbers


· alternative takes
There are also short accounts of the major "race labels" that recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units.

Howard Rye has joined the original compilers for this thoroughly revised, enlarged, and reset fourth edition. The scope has been widened by the addition of about 150 new artists in addition to newly discovered recordings by other artists. The compilation now includes recordings by groups such as the Fisk Jubilee Singers, the Pace Jubilee Singers, and the Tuskegee Institute Singers, who, although they employed African American materials and musical devices, were designed to appeal to a predominantly white audience. Early cylinder recordings of gospel music from the 1890s are included for the first time.

Previous editions of this work are applauded for their completeness, accuracy, and reliability. This has now been enhanced by the addition of new information from record labels and from record company files, and by listening to a wide selection of titles, and detailed cross checking.

An incredibly cool glimpse into the vinyl collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts, with compelling photographic essays paired with in-depth interviews that delve into collectors' personal histories and vinyl troves. 

This sumptuous coffee table book is the culmination of photographer Eilon Paz's six-year journey around the globe to unearth the very soul of the vinyl community. A peek into the worlds of more than 130 vinyl record collectors in their most intimate of environments--their record rooms--it combines compelling photographic essays, anecdotes, and quotes with in-depth interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up-close-and-personal look at a variety of well-known vinyl champions--including Questlove, Gilles Peterson, and King Britt--as well as a glimpse into fascinating collections of hobbyists and a foreword by The RZA (chief producer of the Wu-Tang Clan). Mesmerizing and moving, Dust & Grooves is a celebration of passion and discovery and a tribute to the spirit of a thriving movement.

In the 1980s, music defined the moment: "Video Killed the Radio Star" ushered in MTV, "Don't You (Forget about Me)" ruled The Breakfast Club, and "I Still Haven't Found What I'm Looking For" became the anthem of a generation. The 1980s were also the most visually provocative era of the last millennium. Every new vinyl single hit the stands wrapped in eye-catching sleeves that reflected the latest trends.

Put the Needle on the Record is pop culture historian Matthew Chojnacki's definitive guide to 7- and 12-inch vinyl single artwork from the '80s. He presents and compares more than 250 vinyl single covers, representing nearly every prominent musician of the decade. Read the previously untold stories behind the 1980s' most iconic images from the designers and visual talent behind Madonna, Prince, Adam Ant, Pink Floyd, Queen, The Clash, Pet Shop Boys, Kate Bush, and more.

Coupled with exclusive commentary from more than 100 of the '80s biggest musicians, including Annie Lennox, Duran Duran, Run-DMC, Gary Numan, The B-52's, Erasure, OMD, Scorpions, The Knack, and Yoko Ono, this is an authoritative journey back to the songs and images that continue to influence our culture.

Contains a foreword by Jake Shears of Scissor Sisters and an afterword by Nick Rhodes of Duran Duran.

Now in its 8th edition, Goldmine Record Album Price Guide remains to be one of the single most extensive references in the record collecting hobby today. With 400 photographs of album covers, pricing for 100,000+ LPs issued in America since 1948, and market trend insights, this guide is a great source for determining what's hot and what's not in vinyl today.

What's It Worth? Find values for the records you already own--and discover ones you really SHOULD be collecting--in the most comprehensive guide to vinyl records anywhere. Organized by artist, every listing details the labels, formats, titles, release dates, variations, errors, fakes and current prices for Near Mint-condition records valued at $5 or more. The Standard Catalog of American Records 8th edition includes: * More than 150,000 listings for 45 RPM singles, picture sleeves and EPs, 12-inch singles, albums and selected 78 RPM records by rock, pop, country, soul, R&B and jazz artists * The Goldmine grading guide * A value-to-grade conversion chart * Market Watch trends * Advice on buying, selling and collecting records * An overview of recording history * In-depth articles about collecting picture sleeves and quadraphonic records

Dedicated to the one you love...Just like you, Goldmine is passionate about vinyl. It rocks our world. So trust us when we say that the Goldmine Record Album Price Guide is a vinyl collector's best friend. Inside these pages you'll find the latest pricing and identification information for rock, pop, alternative, jazz and country albums valued at $10 or more. And that's just for starters. Goldmine Record Album Price Guide features: * Updated prices for more than 100,000 American vinyl LPs released since 1948. * A detailed explanation of the Goldmine Grading Guide, the industry standard. * Tips to help you accurately grade and value your records--including promo pressings. * An easy-to-use, well-organized format. Whether you're new to the scene or a veteran collector, Goldmine Record Album Price Guide is here to help!

Jacket madness: A splendid collection of album art from the 1960s to the 90s
 
Record covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for—Andy Warhol's covers, for example, including the banana he designed for The Velvet Underground. 

This edition of Record Covers presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs’s enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form.
 
About the Series:
Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!
Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Bookworm’s delight — never bore, always excite!
 
Text in English, French, and German

Not too far away from the flea markets, dusty attics, cluttered used record stores and Ebay is the world of the vinyl junkies. Brett Milano dives deep into the piles of old vinyl to uncover the subculture of record collecting. A vinyl junkie is not the person who has a few old 45s shoved in the cuboard from their days in high school. Vinyl Junkies are the people who will travel over 3,000 miles to hear a rare b-side by a German band that has only recorded two songs since 1962, vinyl junkies are the people who own every copy of every record produced by the favorite artist from every pressing and printing in existance, vinyl junkies are the people who may just love that black plastic more than anything else in their lives. Brett Milano traveled the U.S. seeking out the most die-hard and fanatical collectors to capture all that it means to be a vinyl junkie. Includes interviews with Thurston Moore of Sonic Youth, Peter Buck from R.E.M and Robert Crumb, creator of Fritz the cat and many more underground comics.

A handy and very detailed Personal Firearms Record book. Use this to document your collection. In the event of theft or fire you will have all the information needed for insurance or police. Unlike other record books, this one gives more than enough space for all important information as well as room for full sized photos to be added. Anyone who owns firearms should have this book.

The untold story of a quirky and important subculture: The world of 78rpm records and the insular community that celebrates them—by acclaimed music critic and author Amanda Petrusich, who contributes regularly to Pitchfork, The Oxford American, and The New York Times.

Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on 78rpm records—those fragile, 10-inch shellac discs. While vinyl records have enjoyed a renaissance in recent years, good 78s are exponentially harder to come by and play. A recent eBay auction for the only known copy of a particular record topped out at $37,100. Do Not Sell at Any Price explores the rarified world of the 78rpm record—from the format’s heyday to its near extinction—and how collectors and archivists are working frantically to preserve the music before it’s lost forever.

Through fascinating historical research and beguiling visits with the most prominent 78 preservers, Amanda Petrusich offers both a singular glimpse of the world of 78 collecting and the lost backwoods blues artists whose 78s from the 1920s and 1930s have yet to be found or heard by modern ears. We follow the author’s descent into the oddball fraternity of collectors—including adventures with Joe Bussard, Chris King, John Tefteller, Pete Whelan, and more—who create and follow their own rules, vocabulary, and economics and explore the elemental genres of blues, folk, jazz, and gospel that gave seed to the rock, pop, country, and hip-hop we hear today. From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of preservation, loss, obsession, art, and the evolution of the recording formats that have changed the ways we listen to (and create) music.

 

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